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Time Lens was created by Professor Michael Kuetemeyer, of Temple’s Department of Film & Media Arts, and media artist Anula Shetty, in collaboration with residents from the homeless shelter, Sunday Breakfast Rescue Mission. They produced photographs, videos and interviews of the neighborhood that resulted in an interactive documentary mobile iPad app and an installation, that uses immersive panoramas and stories to explore spaces through time. Funded by ArtPlace, Time Lens is part of the Asian Arts Initiativeʻs Social Practice Lab.
The project will be featured at the “New Sights” exhibition opening this Friday, September 5 at THREENINETEEN, the street level gallery space at 319 N. 11th Street, in the expanding Callowhill neighborhood of Philadelphia. “New Sight” is curated by internationally known visual artists Sarah McEneaney and Zoe Strauss. The show aims to shed light on the role of the arts in changing communities especially in urban environments, and supports the transformation of the Reading Viaduct/Rail Park. The exhibition runs through October 18.
Kuetemeyer and Shetty’s are also exhibiting Time Lens at the Pearl Street Block Party on Saturday, September 27 and the First Friday Outdoor Exhibition on October 3.
The Time Lens project was also presented at the 41st SIGGRAPH, International Conference and Exhibition on Computer Graphics and Interactive Techniques, last August, in Vancouver, Canada.
You can experience the project downloading the iPad/iPhone app here: Time Lens – Pearl Street.
Professor Rea Tajiri, of Temple University’s Department of Film and Media Arts will present her new project, Wisdom Gone Wild at Penn Memory Center on Monday, September 8. This film examines the difficulties of being a caregiver to a parent with dementia. Lordville, Tajiri’s award-winning documentary, will have its Philadelphia premiere on Tuesday, September 9. A discussion with Tajiri follows the screening at International House Philadelphia. Professor Tajiri will also teach a Master Class on personal essay documentaries at Scribe Video Center, on Wednesday, September 10. More information about the events below:
Wisdom Gone Wild: Screening and Discussion - Penn Memory Center Presented by ARTZ Philadelphia, in conjunction with Penn Memory Center, Rea Tajiri will screen clips from her work-in-progress: WISDOM GONE WILD, a film about caring for a parent with dementia.
Discussion and Q&A to follow
The event is now at capacity, please RSVP to put your name on the waitlist to email@example.com
Monday, September 8, 3-5 pm Penn Memory Center, 3615 Chestnut St, Philadelphia, PA 19104
Check out the folder here
Lordville: Screening and Discussion - International House Philadelphia (IHP) Presented in Partnership with IHP and co-sponsored by the Department of Film and Media Arts at Temple University, this is the Philadelphia Premiere of the awarded documentary Lordville. In this hybrid-documentary, director Rea Tajiri asks”What does it mean to own the land?”
Discussion and Q&A to follow
Tuesday, September 9 at 7:00 pm. International House Philadelphia, 3701 Chestnut Street, PHILADELPHIA, PA 19104
Tickets available here
Master Class: Rea Tajiri: The Essay Film
Rea Tajiri’s eclectic body of film work include personal essay documentaries – History & Memory (1991) and Lordville (2013). In this Master Class, Tajiri will discuss how she uses the personal essay documentary to reimagine and recreate collective histories that have been submerged, lost, and stolen.
Wednesday, September 10, 7 – 9 pm
Scribe Video Center, 4212 Chestnut Street, 3rd Floor, Philadelphia, PA 19104
Temple University alumnus Haitao Guo, a graduate of the department’s MFA program, received a Sundance Institute Documentary Film grant last month. The grant will support the post-production efforts of Guo’s feature-length documentary A Peking Opera Master in New York.
The Sundance Institute Documentary Film Program is supported by the Open Society Foundations, Ford Foundation, and The Rockefeller Foundation, among other prestigious institutions. The program selected 44 films and granted a total of $975,000, a significant increase over last year. Four films, including Guo’s, are part of the Documentary Film Initiative in Asia.
The Documentary Film Program selects films that have both contemporary social relevance as well as meaningful approach for the culture at large. The Program also offers support for documentary labs, fellowships, and editorial consultation.
A Peking Opera Master in New York tells the story of legendary Peking Opera Grandmaster, Yuling Fang, an Chinese exile living in New York. With no one to inherit his skills, which are declining with age, he mounts an amateur production in order to revive the vanishing world he loves. This is the second feature-length documentary by Guo; his first was David and Patricia.
Guo also received support for the film from the Sundance CNEX in Beijing. He signed with the professional editor Joe Bini, long-time collaborator with Werner Herzog, who will supervise the editing of the project.
The 2014, third annual BlackStar Film Festival ran between July 31 and August 3 in various venues across University City, Philadelphia. Maori Holmes, an MFA Temple Alumna, is the Founder and the Producing Artistic Director of what was called by Ebony magazine “the black Sundance.”
Created to show independent films produced by black directors working outside mainstream Hollywood, this year’s festival focused on the theme “Music is the Weapon.” Forty films were presented, among them shorts, documentaries and feature-length works from four different continents.
The event held screenings, panels, mixers and workshops with renowned artists and directors such as the acclaimed filmmaker Arthur Jafa, who premiered his documentary, Dreams Are Colder Than Death. Also included was actor Michael K. Williams of The Purge: Anarchy, and HBO’s The Wire and Boardwalk Empire. The Black Star Film Festival also had, for the first time, a closing ceremony and announced many awards including the screenplay competition. The winner, Asia Nichols, will have her short film Stranded produced by the festival and directed by award-winning director Terence Nance.
Our mission is to showcase and reward the best short films on local climate change stories from student filmmakers from across the United States. We are looking for climate stories of hope and courage. We are not looking for films about general environmental issues like recycling or pollution.
The panel of judges will include well-known documentary filmmakers, and climate change experts. Entries should demonstrate excellence in filmmaking and tell a unique regional climate change story. Entries should be 5-10 minutes in length. For examples please see previous postcards.
We are looking for finished works but will consider works in progress (please email to discuss).
Finalist films will premiere at The Center for Environmental Filmmaking (as part of the Environmental Film Festival in The Nation’s Capital) March 2015. The first place winner will receive a cash prize of $500 and an all-expense paid trip to the premiere. Additionally, finalist films will be featured on the Postcards From Climate Change website, Greenpeace YouTube channel, and Greenpeace blog.
Check out how to participate here
Heidi Saman became a devotee of Italian neorealist films during her undergraduate studies at University of California, San Diego. After working in Cairo, Egypt as a freelance journalist she moved to Philadelphia to pursue her MFA in Film and Media Arts degree at Temple University. The neorealist style inspired Saman for her debut feature film Namour that is now on post-production after a successful Kickstarter campaign.
Namour is a film that tells the story of Steven Bassem, an Arab-American who is afraid that his temporary job as a valet driver in a fashionable restaurant in LA is turning into his future.
Heidi Saman’s MFA thesis short film The Maid received the Princess Grace Honorarium Award and was selected to premiere in competition at the Cannes Film Festival in 2008. It played at festivals worldwide including Slamdance and IndieMemphis. Her second short film, Pears, received the Panavision Equipment Grant Award and screened at festivals and galleries around the globe. Besides making her films, Saman works as an associate producer at National Public Radio’s Fresh Air with Terry Gross.
The former MFA Temple student was just selected as one of the 25 New Faces of Independent Film by Filmmaker Magazine. Read more about it here.
BROTHER TO BROTHER, directed by FMA Professor Rodney Evans, had a Tenth Anniversary screening in Los Angeles on Sunday, June 22nd at the Hammer Museum. The event was sponsored by the UCLA Film and Television Archive and the Outfest Legacy Project and featured a post-screening discussion with Professor Evans.
Outfest-UCLA Legacy Project’s aim is to collect, restore and screen queer film and video.
Rodney Evans’ moving feature film looks back on the Harlem Renaissance from the perspective of an elderly, black writer who meets a gay teenager in a New York homeless shelter.
Tim Heidecker and Eric Wareheim started to produce comic videos as film majors. After graduation and a disappointing period in Hollywood, they came back to Philadelphia to make money. Refusing to give up, they continued working on their short movies and in 2002 released TimandEric.com. The site hosted many of their underground, micro-budget productions.
It was a DVD sent to the right person, Bob Odenkirk, a writer-producer, that put them on a plane back to Hollywood, this time to produce their own content.
After successful seasons of their web series, Heidecker and Wareheim formed Abso Lutely to keep artistic control over their productions, including “The Eric and Eric Show” (Adult Swim), “Tim and Eric’s Billion Dollar Movie” (featuring Jeff Goldblum and Odenkirk), and Comedy Central’s “Nathan for You,” starring Canadian comedian Nathan Fielder.
It may seem like a film plot, but this is reality! To read the complete story visit Variety’s web site here.
Sweepstakes is a finalist for the Student Academy Award. Directed by Mark Tumas when he was a senior student in the Film and Media Arts Undergraduate Program, the short film tells the story of a new mother who reflects about the life she could have had after her husband have suffered a neurological complication.
Forty-one students from 23 U.S. colleges and universities as well as 10 students from foreign universities have been selected as finalists in the Academy of Motion Picture Arts and Sciences’ 41st Student Academy Awards competition. The winning students will be brought to Los Angeles for a week of industry activities and social events that will culminate in the awards ceremony on Saturday, June 7, at 6 p.m., at the DGA Theater in Hollywood.
For more information about the Student Academy Award visit their website.
Maquette 1:1000 directed by Doris Chia-ching Lin (’12 MFA), a FMA Temple University’s alumnus is a Platinum Remi Award winner at the 47th Worldfest-Houston. WorldFest is one of the oldest and largest film & video competitions in the world, it was founded over 50 years ago as Cinema Arts, an International Film Society in August, 1961. WorldFest became the third competitive international film festival in North America, following San Francisco and New York.
The short film tells the story of a Taiwanese young architect’s self-awareness through the observation of two difference cities. Impacted by the cultural shock in the foreign environment of the West, Lan Lin makes her decision as she is again facing the same experience, unexpected pregnancy. Having the space-sensitive mind of an architect, she also reconstructs her artistic faith in her career within this extraordinary journey. The film is Lin’s thesis film at Temple University. Maquette 1:1000 is also a finalist of the Jury Award (short film) at LA Asian Pacific Film Festival. It was screen on May 3rd in Los Angeles.
Doris Chia-ching Lin is a filmmaker, multimedia artist and set designer from Taiwan. Her work explores multimedia arts. Check more information about her, please visit her website here.
Annenberg Hall Room 120
2020 N 13th St
Philadelphia, PA 19122