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At about 10:30 p.m. on Sunday evening, Sandra Bullock opened the envelope.
“And the Oscar goes to,” she said as she tore, “William Goldenberg, ‘Argo.'”
With those eight words, veteran film editor and Temple alumnus William Goldenberg, BA FMA ’82, won an Academy Award for “Best Film Editing” from the Academy of Motion Picture Arts and Sciences at the 85th annual Academy Awards ceremony Feb. 24 at the Dolby Theater in Los Angeles.
Goldenberg is one of the few nominees in the history of the Academy Awards who can say he lost to himself. He also nominated for a 2013 “Best Film Editing” Oscar for “Zero Dark Thirty.” They were his third and fourth Academy Award nominations; Goldenberg was nominated for “Seabiscuit” in 2003 and “The Insider” in 1999. Last night’s Oscar for “Argo”— which had already earned him editing awards from the American Cinema Editors, the British Academy of Film and Television Arts and the Los Angeles Film Critics Association — was Goldenberg’s first.
Associate Professor Leann Erickson, who teaches film and video editing in Temple’s Department of Film and Media Arts (FMA), acknowledged the remarkable breadth of Goldenberg’s two-decade career as a film editor, noting the wide range of genres among his many film and television credits, including “Pleasantville” (1998), “Ali” (2001), “National Treasure” (2004), the TV show “Over There” (2005), “Gone Baby Gone” (2007) and “Transformers: Dark of the Moon” (2011).
“The breadth of what he has done is amazing,” Erickson said. “What’s impressive about ‘Argo’ is that the editor was able to combine very different tones and styles into a seamless whole. That is a real challenge — you can see how his experience in a range of genres was essential.”
Seconds after the envelope was unsealed and Goldenberg walked up the stairs to receive the award, the Temple community exploded in pride via social media, email and texts. A tweet announcing the Oscar from @TempleUniv, the university’s official twitter feed, was retweeted and favorite more than 300 times, breaking Temple’s record for a tweet that wasn’t about sports or weather.
“We are thrilled and impressed that William Goldenberg was nominated for two Oscars and won one,” said FMA Professor and Chair Nora M. Alter, who noted that Goldenberg regularly joins Temple students enrolled in the Los Angeles-based “Entertainment Industry Perspectives” course, a requirement for participants in Temple’s Los Angeles Study Away program.
“Over the years, Goldenberg has shared his successes and experiences with our students,” Alter said. “He stands as a role model of a successful and talented individual who is generous with his time and engaged with the education and mentoring of young people.”
A Philadelphia native, Goldenberg told the Los Angeles Times that he studied film at Temple despite his father’s wishes that he pursue a career as a doctor. He began to focus on editing at the encouragement of a radio, television and film instructor at Temple, and continued his professional apprenticeship in Los Angeles after earning a bachelor’s degree in 1982.
Although Goldenberg ignored his father’s career advice, he acknowledged in a backstage interview how working in his father’s deli in Northeast Philadelphia helped get him ready for the rigors of film editing.
“My father’s deli, you had to do a million things at one time, you had to be making breakfast for 75 people,” Goldenberg said. “It really does prepare you for the multitasking you need to do.”
On February 23, 2013, Temple University’s Film and Media Arts Department will host the 17th Annual Derek Freese Youth Media Film Festival! This year’s festival will be focused on local filmmakers in the Mid-Atlantic region. A great opportunity for youth filmmakers, ages 12 to 18 to screen their work in front of their peers and other film professionals.
The categories for this year’s festival entries include:
*Audience’s Choice: Bring your friends & family to watch your film and win the award!
*Special Topics: African American Filmmaker: the special award this year to encourage young African American filmmakers.
All finalists will be notified before the festival and awards ceremony on February 23rd 2013.
Derek Freese Youth Media Film Festival
February 23rd from 4-7PM.
Annenberg Hall, Room 3 on Temple University’s campus.
For more information, visit the FreeseFilmFestival.org or send e-mail to email@example.com.
Writer/Director Derek Cianfrance will be visiting FMA Wednesday, Feb 20th from 2-5pm in AH 202 for the Special Topics-Improv class taught by Professor Rodney Evens.
The class will screen his second feature film BLUE VALENTINE from 2-4pm and then have a Q&A/discussion with the filmmaker from 4-5pm.
DEREK CIANFRANCE (Writer/Director)
Derek attended the University of Colorado’s film school, where he studied under avant-garde film legends Stan Brakhage and Phil Solomon. His first three student films took the university’s top prize and earned him a Special Dean’s Grant for Achievement in the Arts as well as the Independent Film Channel’s top award for Excellence in Student Filmmaking.
Derek went on to shoot and edit his first feature, BROTHER TIED, at the age of 23. The film made its American premiere at Sundance, where it was lauded as “one of the most striking American independent debuts in some time” by The Guardian’s Jonathan Romney and hailed as a work of “visual genius” by Newsday’s John Anderson. The film traveled to over 30 festivals and won international awards at six of them.
Serving as director of photography, Derek revealed teen racing and Hispanic subculture in STREETS OF LEGEND for which he won the Excellence in Cinematography Award at Sundance 2003.
His second feature, BLUE VALENTINE, had its premiere at the 2010 Sundance Film Festival. The Weinstein Company immediately acquired the film, which starred Ryan Gosling and Michelle Williams. Gosling and Williams received a great deal of critical recognition for their roles, including ‘Best Actor’ and ‘Best Actress’ Golden Globe nominations and a ‘Best Actress’ Oscar nomination for Williams.Derek’s most recent feature, THE PLACE BEYOND THE PINES, stars Ryan Gosling, Bradley Cooper, and Eva Mendes. He is also at work on an adaptation of the memoir MUSCLE for HBO.
FMA Prof. Coover’s Unknown Territories project is being presented as part of the juried Screening Scholarship Media Festival at the University of Pennsylvania this Sunday, Feb 24th. Events will be held at the Annenberg Forum, 3620 Walnut Street, and the Harold Prince Theatre, 3680 Walnut Street.
Click here for more details.
CAMRA at Penn, in collaboration with the 34th Annual Ethnography in Education Forum, the Graduate School of Education and the Annenberg School for Communication at UPenn presents the first annual Screening Scholarship Media Festival, which explores how diverse and creative uses of multimedia are changing knowledge production and the research imagination.
Visit Screening Scholarship Media Festival for more information
Filmmakers (and alumni from the Center for the Arts’ Dept of Film & Media Arts) Joseph Kraemer, Doris Chia-Ching Lin, Alina Postula, Jonathan Barr, and Alessandro Zangirolami, are delighted to host a showcase of their latest narrative short films February 17 at 2 p.m., at the International House of Philadelphia. The event, titled On the road, will trace the inexorable journey of characters in a desperate search of a name. A name for themselves, their uncomfortable spaces, their estranged objects. A name for their very own complex paths.
ON THE ROAD
February 17, 2013 // 2pm – 5pm (doors open at 1:30pm)
International House of Philadelphia
3701 Chestnut Street, Philadelphia, PA 19104
It is a public screening, free Admission.
Short program as below:
Jon Barr, Waiting on Millie
Joseph Kraemer, Tunnel Vision
Alessandro Zangirolami, Deer
Alina Postula, Skullcap
Chia- Ching “Doris” Lin,Maquette 1:1000
The screening is supported by Temple University Center for the Arts, Department of Film and Media Arts; as well as Philadelphia Independent Film and Video Association (PIFVA)
In Jonathan Barr’s, Waiting on Millie, a poor but lovable waiter struggles through the most important dinner service of his life, trying to outwit a wealthy customer, a heartless maitre d’, and a prankster chef, in order to win his true love’s hand in marriage in this endearing tribute to the silent comedies of the 1920s.
Joseph Kraemer’s Tunnel Vision is the story of former lovers who reunite to revisit the past when one of them discovers he is going blind. Faced with the predicament of how to spend his final moments with his diminishing eyesight, Brandon convinces Sarah to take him back to the places from their past as a way for him to see them – and her – one last time. Here, amongst the ruins of their relationship, they reflect upon the past, coming to terms with the failures and misunderstandings that tore them apart. Tunnel Vision is a narrative short film about the struggle between vision and blindness that all people must face when confronting their past.
Tracing trauma’s echoes and how a father’s emotional scars are passed down to his 8 year-old son, Alessandro Zangirolami’s DEER asks us to consider how we might live in a world in which the rules are impossible to follow. An attempt at describing a man (Keith Marwick) struggling to maintain custody of his young son, the film prods us to examine what it means to obey one’s nature, and asks us what it means when giving into yourself and obeying your own impulses may just be the most terrifying and alienating place to be.
Skullcap, by Alina Postula, is a fairy tale, a love story that draws from somewhere we almost remember. It uses the rich mille-feuille of mythic imagery to create a cut-and-pastry that we believe we enjoyed as children. It has many ingredients, each embroidered and entangled with their own lacework. It is the story of the and the path with no map.
Maquette 1:1000, directed by Chia-Ching “Doris” Lin, investigates a Taiwanese young female architect’s self-awareness through the observation of two difference cities. Impacted by the cultural shock in the foreign environment of the West, Lan Lin makes her decision as she is again facing the same experience, unexpected pregnancy. Having the space-sensitive mind of an architect, she also reconstructs her artistic faith in her career within this extraordinary journey.
On The Road, we held our hands together.
On The Road, we showed each other’s stars.
On The Road, we separated and said goodbye.
The Walk Series (1973-74), the initial installment of Professor Peter d’Agostino’s on-going World-Wide-Walks video projects,is featured in State of Mind: New California Art Circa 1970, at SITE Contemporary Arts, Santa Fe, New Mexico, Feb 23 – May 20, 2013.
This touring exhibition is organized by Independent Curators International (ICI), New York. The State of Mind book is published by the University of California Press, Berkeley. An exhibition catalog of d’Agostino’s World-Wide-Walks 1973- 2012 projects is distributed by Printed Matter, New York.
The Philadelphia Independent Film and Video Association(PIFVA) Finishing Funds Program awards grants to Philadelphia-area independent media makers with film/video projects in the post-production stage with an anticipated completion date of fifteen months from the grant deadline. Numerous FMA Faculty, Grad Students and Alumni have received the support from PIFVA Finish ing Fund to complete their works in last five years. Here are FMA Faculty, Grad Students and Alumni who receive PIFVA Fall 2012 Finishing Funds:
Rod Coover (FMA Faculty), Catastrophe Trilogy
Haitao Guo (Current MFA), Mother and Daughter
Paul Hinson (Current MFA), YellowBlue
Mingyuan Huang (Current MFA), Stealing Intimacy
Joseph Kraemer (12′ MFA), Bringing Home Back to Him
Doris Chiaching Lin (12′ MFA), Maquette 1:1000
Lindsey Martin (12′ MFA), Love Letter
The next Finishing Fund Deadline is MARCH 13. Click here for more details.
Click to see Previous PIFVA Finishing Fund Recipients.
The Philadelphia Independent Film and Video Association (PIFVA) is a membership organization started by filmmakers whose mission is to connect, support, sustain and showcase Philadelphia regions’ independent media arts community. It was formed in 1979 by independent filmmakers to provide services to media makers working in all genres, styles and at all levels of experience. PIFVA evolved into an essential and dynamic resource for local media makers, encouraging independent, non-commercial, artistically provocative, diverse, and community-based production of work.
For more information, please visit PIFVA.
MFA alum Sarah Christman, is showing her work on Friday, February 8th 2013, 7pm with reception immediately following at International House Philadelphia. Hosted by Judy Adamson and Fred Jackes, Jolley Christman, and Nancy and Neil Hoffmann.
For more information, please click here.
As Above, So Below (2012, 50 min)
Shedding light on local and global acts of alchemy, “As Above, So Below” is a deeply personal and thought-provoking reflection on the ephemeral life of material objects. Christman’s intimate documentation of her family’s decision to have her stepfather’s ashes transformed into a memorial diamond frames a larger exploration of the recycling of matter. The story ranges from Belgium, where precious metals are “mined” from discarded electronics, to New York, where a long-term reclamation project is converting what was once the world’s largest landfill into the city’s second largest public park system. Overturning common conceptions of a disposable culture, this beautifully-composed essay film underscores the vast and unimagined potential lying dormant in our waste.
From a recent review of the film:
“The filmmaker’s faith in nuance, respect for mystery and openness to interpretation is what makes “As Above, So Below” such a rare, offbeat treat.”
Eric Rumble, Alternatives Journal, January 2013
Dear Bill Gates (2006, 17 min)
A simple correspondence evolves into a poetic visual essay exploring the ownership of our visual history and culture. Combining original and archival film, video and images from the internet, “Dear Bill Gates” draws unexpected connections among mining, memory and Microsoft.
Broad Channel (2010, 14 min)
Over the course of four seasons, the nuances of everyday activity are examined along one narrow stretch of public shoreline in New York City’s Jamaica Bay. Moments of recurrence and change cycle through an ecosystem rooted in migration.
(dir. Grace Lee, USA, 2012, 78 min)
Screening co-sponsored by Film and Media Arts at Temple University. Mixing documentary and scripted material, Janeane from Des Moines tells the story of a conservative Iowa housewife determined to find a Republican candidate who will take America back from the Democrats, repeal Obamacare, defund Planned Parenthood and get rid of gay marriage. She dives into Iowa Tea Party politics and the lead-up to the Iowa caucus, but a crumbling economy causes her to lose everything she holds dear — her job, her marriage, her health, and her home. As Mitt Romney, Michele Bachmann, Rick Santorum, Rick Perry and Newt Gingrich criss-cross Iowa during her hour of need, Janeane presses them for answers that she and many of her fellow Americans would like to hear.
With director Grace Lee in person!
Tuesday, February 12, 7PM
International House Philadelphia
3701 Chestnut Street
$10, $8 students/seniors, $5 for Scribe, IHP and PIFVA members
Free for students, faculty and staff of Temple University
Grace Lee was born and raised in Columbia, Missouri. She has a BA in History from the University of Missouri and an MFA in Film Directing from UCLA Film School where she won DGA and Student Academy Awards for her thesis film, Barrier Device, starring Sandra Oh.
Ms. Lee’s first documentary The Grace Lee Project was released in 2005, broadcast on the Sundance Channel and is distributed by Women Make Movies. She also co-wrote and directed American Zombie, a feature film, released in 2008 by Cinema Libre.
Ms. Lee is the recipient of the Henry Hampton award for Excellence in Digital Media, a Rockefeller Media Arts grant, the PPP Pusan Prize as well as funding from the Ford Foundation, Center for Asian American Media, Chicken and Egg Pictures, and the Armani Directing Fellowship through Film Independent.
Other documentary credits include Best of the Wurst, which is permanently featured at the Currywurst Museum in Berlin and Camp Arirang. She is currently in postproduction for American Revolutionary: The Evolution of Grace Lee Boggs about a 97-year-old Chinese American philosopher and activist in Detroit.
I’ve recently started my own production company and currently have two web series projects in pre-pro. My goal is to produce these projects in and around the Delaware Valley area. I’m going fully independant and I am looking for young talented people looking for expierence to help me with these projects. I already have a sound production team in place, but I am also looking for someone skilled in lighting, a boom operator, and two grips. I am also looking for talent. Below I have pasted a copy of my casting call, that should provide information on the projects I’m looking to produce. Thank you for your time.
Actress and Actors needed for webseries
Nonunion web series casting:
Harlem Legacy L.L.C, a new production company operating out of the Delaware Valley area, are currently looking to create a talent and to cast roles in two new webseries that are currently in pre-production. Shooting is schedule to start in mid-February early March. We are looking for an African American or Ethnically ambiguous female (appearing 20-30) with expressive eyes and range.
We are also looking for African American males ( age range 25-35 ) and Caucasian males (age range 30-40)
Duality- Attractive registered nurse whom separates from her ex only to still experience the pitfalls of an uncomfortable relationship because she is still connected because of the child in which they share. Weekly situations sends this former couple thru a whirlwind of emotional chaos. The amount of effort that it takes to remain civilized as separated parents becomes increasingly stressful because even thou the couple is technically separated Leah’s Ex refuses to let go nor does he tell ANYONE that the are NO longer together out of fear of embarrassment because he lives for his image.
Money- Darius, a small time hustler, recruits Seven, a free spirited young woman, and the object of his affection and Dre a young man he views as his protégé, to travel to the midwest to retrieve stolen money all while having a corrupt D.E.A agent and two hardened criminals in pursuit of him and the cash.
This is a non-paying job. Footage for reels available upon request, craft services will be provided, transportation is available, but limited.
These series will be shot in DELAWARE. ONLY talent in the NY/Tri-State and DMV area are encouraged to audition.
Email headshot and resume ASAP and please indicate the project you are interested in the subject line (eg.. Harlem Legacy – Duality or Harlem Legacy-Money) if you are interested in both projects please indicate that.
firstname.lastname@example.org. or email@example.com
Annenberg Hall Room 120
2020 N 13th St
Philadelphia, PA 19122