- FMA Department
- Undergraduate Program
- Graduate Program
- Study Away Programs
- DAEP Grad Certificate
- Film Festivals
- Filmmaking Resources
The Department of Film and Media Arts (FMA) is expanding its undergraduate program to offer a new Bachelor of Fine Arts (BFA) degree in addition to a more focused Bachelor of Arts (BA) degree. The new BFA will offer concentrations in Directing, Media Arts and Screenwriting for intensive arts education. The new more focused BA will offer concentrations in Cinematography, Post-Production, Producing and Screen Studies, allowing for specialized study within a liberal arts context. Additionally, the department has added a Minor in Screen Studies, that will be available to students across the University.
The department’s tiered programs offer options for students to pursue a degree in Film and Media Arts to their level of interest. FMA undergraduate students, who have completed two years of coursework, may apply to the BFA program or the BA with concentrations in Cinematography, Post-Production and Producing. The BFA requires a minimum of 70 credits of FMA instruction, while the BA with production concentrations requires 60 credits in the department. Students can also pursue the new concentration in Screen Studies which explores the history, cultural significance, and aesthetics of film. The department also offers a BA without a concentration for students who want flexibility in their studies. The new range of degree programs will better prepare undergraduates for the increased competitiveness and professional opportunities in the film and media arts industry.
The Film and Media Arts BA and BFA programs focus on the development of creative and technical skills in film, video, audio, and new media, as well as the theoretical understanding of media and culture. Students have the opportunity to explore diverse practices in the arts, as well such areas as Anthropology, Business, English, Religion, and African-American Studies. In addition, study away and internship programs provide professional mentoring, networking opportunities and career work experiences.
The Department of Film and Media Arts is composed of a diverse and recognized faculty of scholars and award winning filmmakers and media producers recipients of prizes such as: Oscar, Emmy, Guggenheim, Rockefeller, NEA, Fulbright, Sundance and international film festival awards. With Study Away programs in Los Angeles and San Francisco, the department offers many opportunities for experiential learning through internships and special programs. The department also brings in guest media makers and visiting professors from diverse backgrounds for special lectures and workshops.
By learning diverse approaches to production and theory, undergraduates are prepared to produce independent media work, assume creative leadership roles in the entertainment industry or pursue further studies, while making a significant impact on the culture in which they live.
Students interested in these new programs should contact their advisor for more information on program requirements and the application process. Prospective students should email email@example.com for more information about to the Film and Media Arts degree programs.
On Wednesday, November 19, the Film and Media Arts Lecture Series will welcome two internationally recognized scholars and video artists: Visiting Scholar Gabriel Villota and video artist Estibaliz Sádaba. Hosted by Professor Peter d’Agostino’s Experimental Video and Multi-Media course, Villota and Sádaba will present on experimental video performance. Professor Villota’s presentation is titled “Sound, Space, Performance: The Human Body as represented in works of New Dance, Video Performance and Sound Art.” Sádaba will present “A Selection of Performance / Experimental Video Works” showcasing her work. The presentation begins at 5:30 pm in Annenberg Hall Rm. 19 and is open to all students.
Villota is an Associate Professor, Visual Communication Department UPV/EHU, Basque Country University and a Visiting Scholar (Fall 2014), in the FMA Department of Temple University. Dr Villota is a critic, curator and producer who surveys a wide range of contemporary art. His current focus is on the relationship of the human body and surrounding space in works of new dance and video performance, with a special emphasis on the use of sound elements. He has been the recipient of several grants for his research, and was a visiting scholar at the Performance Studies Department, Tisch School for the Arts, NYU, and the Basque Studies Program, Nevada University, Reno. Gabriel Villota was Director of Cultural Activities, the Basque Country University (2010-13) coordinating the exhibitions, film, music and theater programs. His curatorial work extends to museums and galleries in Spain, France and Belgium.
Sádaba studies and deconstructs stereotypes of women using video-performance. Through the analysis of cultural politics she shows women in the art world, as an “intellectual proletarian”. An independent videomaker and visual artist, she is the recipient of several grants and her work has appeared on public television. Her international exhibitions include: La internacional cuir, Reina Sofia Museum, Madrid; RE.act.feminism#2, Berlin, Fundación Antoni Tapies; Fábulas problemáticas, AECID, Chile, Argentina; Caras B del video arte, Seoul, Sydney; Region 0, New York, Washington DC; Genealogías feministas en el arte español, Musac, Leon.
FMA Lecture Series: Experimental Video Performance with Gabriel Villota and Estibaliz Sádaba presented on Wednesday, November 19 at 5:30 pm in Annenberg Hall, Room 19.
Temple University Professor Chris Cagle of the Department of Film and Media Studies published an essay on classical Hollywood cinematography from 1928-1946 in Cinematography, a book edited by Trinity University’s Patrick Keating and published by Rutgers University Press(RUP). The book is part of the RUP’s Behind the Silver Screen Series; each volume is on a separate craft in Hollywood filmmaking.
This summer, Professor Cagle also presented papers on contemporary European documentary films and practices at two conferences: the 2014 European Network for Cinema and Media Studies (NECS), and the 24th International Screen Studies Conference.
NECS Conference took place in June in Milan, Italy. NECS is a platform for exchange between scholars, archivists and programmers. The annual conference aims is to foster innovative research in film and media theory, history and practice and to provide a forum for communication, exchange and scholarly debate, to support young and early-career researchers, and to establish film and media studies as a dynamic and important part of the arts and humanities research in Europe.
Organized by the journal Screen, the 24th International Screen Studies Conference took place in June at the University of Glasgow. The main theme of this year’s Screen conference offered an opportunity to extend critical debate into the fields of landscape and the environment, with an exciting range of interdisciplinary perspectives to reflect on the real and imaginary ways that we interact with the world through the portal of the screen.
Temple University professor LeAnn Erickson had the Philadelphia premiere of her award winning documentary Top Secret Rosies: The Female Computers of WWII (2010) on September 16, as part of the Filmadelphia series, an event produced by the Philadelphia Film Society.
Top Secret Rosies shares the little known story of a group of female mathematicians who did secret ballistics research for the US Army during WWII, a handful of whom went on to serve as the programmers of ENIAC, the first multi-purpose electronic computer. Top Secret Rosies was featured on CNN online, was screened on public television and has won awards in national film festivals.
Filmadelphia at the Roxy is a monthly film series at the PFS Theater at the Roxy that provides avenue for local filmmakers of all ages, levels and backgrounds to showcase their work and elicit audience feedback.
The successful documentary was adapted into a book app project, The Computer Wore Heels, for iPad, which Professor Erickson completed and released in August. Read more about the The Computer Wore Heels bookapp here.
Madeleine Hunt-Ehrlich, a second year student of the MFA Program in Film and Media Arts, received the prestigious 2014 Graduate Film Scholarship award from the Princess Grace Foundation. This year the Princess Grace Foundation honored forty-two emerging artists, including twelve graduate and undergraduate film students. The Princess Grace Foundation (PGF) receives applicants from the most important film schools in the United States and the PGF Awards are one of the most competitive film awards in the country.
Hunt-Ehrlich is a documentarian working in film, video, photography and multimedia in service to the marginalized and the underrepresented. She is a current Future Faculty Fellow and MFA candidate in Film and Media Arts at Temple University. She has completed documentaries in Philadelphia, New York, Miami, and Kingston, Jamaica that explore themes of physicality, violence, and identity within urban contexts. Hunt-Erlich has received arts grants from Temple University, the Lower Manhattan Cultural Council as well as the National Black Programming Consortium.
The Princess Grace Foundation is engaged in rewarding emerging talent in theater, dance, and film by scholarships, apprenticeships, and fellowships in the United States. This year, the Foundation is awarding nearly $1 million to continue the legacy of Princess Grace (Kelly) of Monaco, who helped emerging artists pursue their artistic goals during her lifetime.
Madeleine Hunt-Erlich will receive her award in Los Angeles at the 32nd Annual Princess Grace Awards Gala held in the presence of Their Serene Highnesses The Prince and The Princess of Monaco on October 8, 2014.
Temple University students have repeatedly been honored by the Princess Grace Foundation, receiving six awards in the last nine years. A complete list of winners from Temple University’s Department of Film and Media Arts is below.
2014 Princess Grace Foundation Award Winner:
Madeleine Hunt-Ehrlich (graduate award)
Previous Princess Grace Foundation Award Winners:
David Romberg (graduate award, 2013)
Fiona Otway (graduate award, 2012)
Mark Tumas (undergraduate award, 2012)
Chinonye Chukwu (graduate award, 2009)
Heidi Saman (graduate award, 2006)
Karen Carpenter (graduate award, 2005)
Melissa Thompson (graduate award, 1999)
The Years of Fierro (Los Años de Fierro), directed by Santiago Esteinou, an FMA alumnus, was screened at the prestigious Toronto International Film Festival (TIFF), as part of the TIFF Docs, a showcase of the best non-fiction cinema. With more than 250 national and international movies screened annually, TIFF is an important opportunity for films looking for distribution and publicity.
Estienou’s MFA thesis film, The Years of Fierro, tells a story of Cesar Fierro, the oldest Mexican prisoner on death row in the United States. César has waited for an execution date, in solitary confinement, for more than 30 years, always insisting that he is innocent. This documentary is a reflection on justice, imprisonment and brotherly love, through the eyes of César and his brother, Sergio. These two brothers still hope to meet again, no matter the time or the distance.
Esteinou is originally from Mexico City and received his Master’s in Fine Arts from Temple University in 2013. Santiago Esteinou also studied at Centro de Capacitación Cinematográfica in Mexico and New York University. He directed the documentary Chronic Pain (‘08).
The Years of Fierro was a coproduction of Germany, Canada, the United States, and Mexico. The film was awarded in Santiago Documentary Festival of this year. It was also screened at Morelia International Film Festival, in 2013 and in 2014 at Guadalajara International Film Festival and Thessaloniki Documentary Festival.
The Toronto International Film Festival ran from September 4-14 and The Years of Fierro was exhibited on September 5, 9, & 14, 2014. Check out The Years of Fierro trailer here or read about the film on IndieWire and The Hollywood Reporter.
Time Lens was created by Professor Michael Kuetemeyer, of Temple’s Department of Film & Media Arts, and media artist Anula Shetty, in collaboration with residents from the homeless shelter, Sunday Breakfast Rescue Mission. They produced photographs, videos and interviews of the neighborhood that resulted in an interactive documentary mobile iPad app and an installation, that uses immersive panoramas and stories to explore spaces through time. Funded by ArtPlace, Time Lens is part of the Asian Arts Initiativeʻs Social Practice Lab.
The project will be featured at the “New Sights” exhibition opening this Friday, September 5 at THREENINETEEN, the street level gallery space at 319 N. 11th Street, in the expanding Callowhill neighborhood of Philadelphia. “New Sight” is curated by internationally known visual artists Sarah McEneaney and Zoe Strauss. The show aims to shed light on the role of the arts in changing communities especially in urban environments, and supports the transformation of the Reading Viaduct/Rail Park. The exhibition runs through October 18.
Kuetemeyer and Shetty’s are also exhibiting Time Lens at the Pearl Street Block Party on Saturday, September 27 and the First Friday Outdoor Exhibition on October 3.
The Time Lens project was also presented at the 41st SIGGRAPH, International Conference and Exhibition on Computer Graphics and Interactive Techniques, last August, in Vancouver, Canada.
You can experience the project downloading the iPad/iPhone app here: Time Lens – Pearl Street.
Professor Rea Tajiri, of Temple University’s Department of Film and Media Arts will present her new project, Wisdom Gone Wild at Penn Memory Center on Monday, September 8. This film examines the difficulties of being a caregiver to a parent with dementia. Lordville, Tajiri’s award-winning documentary, will have its Philadelphia premiere on Tuesday, September 9. A discussion with Tajiri follows the screening at International House Philadelphia. Professor Tajiri will also teach a Master Class on personal essay documentaries at Scribe Video Center, on Wednesday, September 10. More information about the events below:
Wisdom Gone Wild: Screening and Discussion - Penn Memory Center Presented by ARTZ Philadelphia, in conjunction with Penn Memory Center, Rea Tajiri will screen clips from her work-in-progress: WISDOM GONE WILD, a film about caring for a parent with dementia.
Discussion and Q&A to follow
The event is now at capacity, please RSVP to put your name on the waitlist to firstname.lastname@example.org
Monday, September 8, 3-5 pm Penn Memory Center, 3615 Chestnut St, Philadelphia, PA 19104
Check out the folder here
Lordville: Screening and Discussion - International House Philadelphia (IHP) Presented in Partnership with IHP and co-sponsored by the Department of Film and Media Arts at Temple University, this is the Philadelphia Premiere of the awarded documentary Lordville. In this hybrid-documentary, director Rea Tajiri asks”What does it mean to own the land?”
Discussion and Q&A to follow
Tuesday, September 9 at 7:00 pm. International House Philadelphia, 3701 Chestnut Street, PHILADELPHIA, PA 19104
Tickets available here
Master Class: Rea Tajiri: The Essay Film
Rea Tajiri’s eclectic body of film work include personal essay documentaries – History & Memory (1991) and Lordville (2013). In this Master Class, Tajiri will discuss how she uses the personal essay documentary to reimagine and recreate collective histories that have been submerged, lost, and stolen.
Wednesday, September 10, 7 – 9 pm
Scribe Video Center, 4212 Chestnut Street, 3rd Floor, Philadelphia, PA 19104
Temple University alumnus Haitao Guo, a graduate of the department’s MFA program, received a Sundance Institute Documentary Film grant last month. The grant will support the post-production efforts of Guo’s feature-length documentary A Peking Opera Master in New York.
The Sundance Institute Documentary Film Program is supported by the Open Society Foundations, Ford Foundation, and The Rockefeller Foundation, among other prestigious institutions. The program selected 44 films and granted a total of $975,000, a significant increase over last year. Four films, including Guo’s, are part of the Documentary Film Initiative in Asia.
The Documentary Film Program selects films that have both contemporary social relevance as well as meaningful approach for the culture at large. The Program also offers support for documentary labs, fellowships, and editorial consultation.
A Peking Opera Master in New York tells the story of legendary Peking Opera Grandmaster, Yuling Fang, an Chinese exile living in New York. With no one to inherit his skills, which are declining with age, he mounts an amateur production in order to revive the vanishing world he loves. This is the second feature-length documentary by Guo; his first was David and Patricia.
Guo also received support for the film from the Sundance CNEX in Beijing. He signed with the professional editor Joe Bini, long-time collaborator with Werner Herzog, who will supervise the editing of the project.
The 2014, third annual BlackStar Film Festival ran between July 31 and August 3 in various venues across University City, Philadelphia. Maori Holmes, an MFA Temple Alumna, is the Founder and the Producing Artistic Director of what was called by Ebony magazine “the black Sundance.”
Created to show independent films produced by black directors working outside mainstream Hollywood, this year’s festival focused on the theme “Music is the Weapon.” Forty films were presented, among them shorts, documentaries and feature-length works from four different continents.
The event held screenings, panels, mixers and workshops with renowned artists and directors such as the acclaimed filmmaker Arthur Jafa, who premiered his documentary, Dreams Are Colder Than Death. Also included was actor Michael K. Williams of The Purge: Anarchy, and HBO’s The Wire and Boardwalk Empire. The Black Star Film Festival also had, for the first time, a closing ceremony and announced many awards including the screenplay competition. The winner, Asia Nichols, will have her short film Stranded produced by the festival and directed by award-winning director Terence Nance.
Annenberg Hall Room 120
2020 N 13th St
Philadelphia, PA 19122